Zhang Jiqing (张继青), from the Sukun Troupe of Jiangsu Province, China, is a Kunqu artists. Zhang became an artist not because of her ambition but for living. After the outbreak of the Second Sino-Japanese War, her grandmother, together with her mother and aunt left for Wuqing (乌青镇) to seek refuge when her mother happened to give birth to Zhang in 1938 at Wuqing, the hometown of many intellectuals, such as Sun Muxin (孙木心). Qing became a part of her alias "Yi qing" (忆青) named after the town of Wuqing.

Zhang’s grandfather was a "Sue Beach" (苏滩, Suzhou Tanhuang (Kun opera's sister art form)) artist. Her family used to form a "Zhang Jia Ban" (张家班, a group of people whose family names are all Zhang or the group founder's family name is Zhang), making a living by performing on the wharf. Zhang was imbued with what she had seen and heard when she was young, whereas her serious learning of opera only began at the age of 14.

Zhang Yiqing was first arranged the role of four operas in the New opera "Mandarin Duck Sword" (鸳鸯剑). One of Shanghai "Chuan Generation" (传字辈)—Zheng Chuanjian (郑传鉴) was invited to rehearse The Cowherd and The Weaving Maid (牛郎织女) and this was the first time that Zhang received influence from Kunqu predecessors.

In 1952, Zhang went to take care of her aunt who was in Shanghai’s Minfeng Troupe of Suzhou opera. Unexpectedly, seeking refuge with her aunt because of poverty, Zhang inadvertently began her life as an artist. Zhang Jiqing joined the Minfeng Troupe of Suzhou opera when she was 14 years old. She studied Suzhou opera and played Dan (Chinese opera) role in her early career life. Later, the Minfeng Troupe of Suzhou opera was settled in Suzhou in October, 1953. In March, 1954, You Caiyun, a famous expert of Kunqu in the last years of Qing Dynasty, was invited to the Minfeng Troupe of Suzhou opera to teach the "Ji Generation" (继字辈) about Kunqu. At the beginning of 1955, Zhang Jiqing played the leading role of two Korean operas, Legend of Chun Xiang (Chunhyangjeon)and Legend of Shen Qing. In addition, she played a role in a modern drama named Liu Hulan with her mother Zhang Huifen (She was also a Chinese opera actress.) from the Qingfeng Troupe of Suzhou opera after the two troupes were consolidated.

After 1958, she concentrated most of her time on Kunqu and received instruction from some experts such as Shen Chuanzhi, Yao Chuanxiang, and Yu Xihou. She became known by audiences for playing Zhengdan (also known as Tsing Yi, the main female role in Chinese opera), Wudan (the supporting female role in Chinese opera, usually a well-educated lady over the age of 15), and Liudan (the supporting female role in Chinese opera, whose social status is lower than that of Wudan). Her representative drama are The Peony Pavilion, The Divorce of Chu Mai-sen (also Pingyin as: Zhu Maichen) (Chinese: 朱买臣) and etc.. She was awarded the 1st Plum Blossom Prize in 1983. Yu Xihou, a student of Yu Sulu, quite an expert in the singing and spoken parts of Dan, has influenced Zhang the most in her Kunqu career. Zhang Jiqing, like her husband Yao Jikun, is one member of the "Ji Generation" (继字辈). They walked into a love-based marriage after a 10-year long courtship on May 1, 1991.