Posted 2017/8/30
Wang Wei was famous for both his poetry and his paintings, about which Su Shi coined a phrase: "The quality of Wang Wei’s poems can be summed as, the poems hold a painting within them. In observing his paintings you can see that, within the painting there is poetry." He is especially known for his compositions in the Mountains and Streams (山水诗) genre, the landscape school of poetry, along with Meng Haoran; their family names were combined and they are commonly referred to as "Wang Meng" due to their excellence in poetic composition at that time. In his later years Wang Wei lost interest in being a statesman and became more involved in Buddhism and his poems reflected his focus on Zen/Ch'an practice, therefore he was posthumously referred to as the “Poet Buddha”. His works are collected in Secretary General Wang's Anthology, which includes 400 poems. He excelled in painting images of people, bamboo forests and scenery of mountains and rivers. It is recorded that his landscape paintings have two different genres, one of the Father and Son of the Li Family (李氏父子) and the other being of strong brush strokes; his work of Picture of Wang River is of the latter, but unfortunately the original no longer exists. His works of Scenery of Snow and Creek and Jinan’s Fusheng Portrait are both realistic in their representation of the subjects.
Wang Wei was a "very great master" of the jueju: many of his quatrains depict quiet scenes of water and mist, with few details and little human presence. The Indiana Companion comments that he affirms the world's beauty, while questioning its ultimate reality. It also draws a comparison between the deceptive simplicity of his works and the Chan path to enlightenment, which is built on careful preparation but is achieved without conscious effort.
